Author: Brett

Who came back, who struck out, who blasted off, and who no-showed in this week’s generally compelling episode, “Comeback”? Also, a chance to participate in our thrillingly prurient contest: “In How Many Season 2.5 Scenes Will Chord Overstreet Appear Shirtless?” All this and more at Vanity Fair.

An impassioned and intelligent (as usual) plea to save Public Broadcasting from my good friend David Kleeman of the American Center for Children and the Media, published on the Huffington Post. Follow his advice and write to your representatives immediately.

Stop Believin’, or Don’t? Get GLEE‘d up for the Grammys with my Vanity Fair interview with PJ Bloom, the man responsible for the show’s music.

I help my pal Jamie Kitman gay things up in his vehicular Valentine’s Day slide-show over at sister organ GQ Magazine. Check out the four final slides for a selection of excellent homosexual V.D. cars.

The Ferrari 458 will turn you into a smirking narcissist, eagerly seeking your next reflection. And it is the second featured car in this month’s Stick Shift series: Vehicular Cures for the February Blahs.

The solution to every Glee couple’s V.D. heartache? Increase the recipe by a third.

Now, in addition to acting as one of the Chicago Tribune’s parenting experts, I’m also apparently one of their automotive experts. Check out this article in which I give some obvious advice about what to do when trying to select a used car.

I talk to Glee’s Ashley Fink–who plays plus-sized diva Lauren Zizes–and she does not deny rumors of participating in a Jell-O wrestling chick-fight on tonight’s episode, “Silly Love Songs”. Read our interview over at Vanity Fair.

Glee is back, which means so is The Gay Guide to Glee–my cruel, loving, weekly re-cap of the show–over at Vanity Fair. Apparently, some people thought I was too mean this week, creating a teensy backlash. I obviously don’t think so. But click over and judge for yourself.

PJ Bloom is the Music Supervisor on Glee, and has worked on films for Steven Spielberg, Mike Nichols, and Ridley Scott. He’s even chosen the music for Space Mountain. So I thought it would be cool if he created a soundtrack that traced the emotional path of a Super Bowl viewer. He did too, so he made this play-by-play playlist for Vanity Fair.